Licensor Information
Gaumont
Directed by: Max Ophuls
French master Max Ophuls's most cherished work, The Earrings of Madame de . . . is an emotionally profound cinematographically adventurous tale of false opulence and tragic romance. When the aristocratic woman known only as Madame de (the extraordinary Danielle Darrieux) sells her earrings, unbeknownst to her husband (Charles Boyer), in order to pay personal debts, she sets off a chain reaction, the financial and carnal consequences of which can only end in despair. Ophuls adapts Louise de Vilmorin's incisive fin de siècle novella with virtuosic camera work so eloquent and precise it's been called the equal to that of Orson Welles.
Streaming Options
32698.
+28596
Stream
Rent
Buy
Free with Ads
Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
French Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Introduction, Video Essay, Interview, Book
- Audio commentary featuring film scholars Susan White and Gaylyn Studlar
- Introduction by filmmaker Paul Thomas Anderson
- Interview with assistant director Alan Jessua
- Interviews with director Max Ophuls’s collaborators Marc Frédérix and Annette Wademant
- Visual essay by film scholar Tag Gallagher
- Interview with writer Louise de Vilmorin about Ophuls’s adaptation of her novel
- A booklet featuring an essay by critic Molly Haskell, an excerpt from costume designer Georges Annenkov’s 1962 book Max Ophuls, and Louise de Vilmorin’s 1951 source novel, Madame de
Forum Member Statistics
Sign-in with your forum account to rate this release
Film
Picture
Audio
Supplements
Artwork
Release Credits
Artwork: Eric Skillman
Producer: Johanna Schiller
Artwork: David Downton
Release Notes on Restoration
The Earrings of Madame de...
The Earrings of Madame de . . . is presented in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and the right of the image to maintain the proper screen format. The picture has been slightly window-boxed to ensure that the maximum image is visible on all monitors. This new high-definition digital transfer was created on a Spirit Datacine from a 35mm fine-grain master positive and a 35mm duplicate negative used with the permission of Bob Harris. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System.
The soundtrack was mastered at 24-bit from a 35mm optical track print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle.
The soundtrack was mastered at 24-bit from a 35mm optical track print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle.

