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Licensor Information
Studio Canal
Directed by: Carol Reed
The Fallen Idol was the first of three masterpieces to result from the legendary meeting of director Carol Reed and writer Graham Greene, who together would also create The Third Man and Our Man in Havana. Elegantly balancing suspense and farce, this tale of the fraught relationship between a boy and the beloved butler he suspects of murder is a delightfully macabre thriller of the first order and a visually and verbally dazzling knockout.
Streaming information not available for this title.
Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
English Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Documentary, Text, Gallery, Booklet
- A Sense of Carol Reed, a 2006 documentary featuring interviews with director Carol Reed’s friends and collaborators
- Illustrated Reed filmography
- Original press book
- A book featuring new essays by film critic Geoffrey O'Brien, author David Lodge, and Reed biographer Nicholas Wapshott
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Artwork: Lucien S. Y. Yang
Producer: Susan Arosteguy
Release Notes on Restoration
The Fallen Idol
The Fallen Idol is presented here in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. This new high-definition digital transfer was created from a 35mm duplicate negative. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from the 35mm optical track, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from the 35mm optical track, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.