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Licensor Information
Toho Co.
Directed by: Kihachi Okamoto
Featuring: Tatsuya Nakadai, Toshiro Mifune, Michiyo Aratama, Yuzo Kayama, Yoko Naito, Kei Sato, Ko Nishimura, Ichiro Nakatani, Tadao Nakamaru
Tatsuya Nakadai and Toshiro Mifune star in the story of a wandering samurai who exists in a maelstrom of violence. A gifted swordsman-plying his trade during the turbulent final days of Shogunate rule-Ryunosuke (Nakadai) kills without remorse, without mercy. It is a way of life that ultimately leads to madness. The Criterion Collection is proud to present director Kihachi Okamoto's swordplay classic The Sword of Doom, the thrilling tale of a man who chooses to devote his life to evil.
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7283.
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Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
2.35:1
Audio Options:
Japanese Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Theatrical Trailer, Insert
- Trailer
- Insert featuring an essay by critic Geoffrey O'Brien
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Producer: Curtis Tsui
Release Notes on Restoration
The Sword of Doom
The Sword of Doom is presented in its original aspect ratio of 2.35:1. Black bars at the top and bottom of the screen are normal for this format. This new high-definition digital transfer was created on a Cintel C-Reality with “Oliver” Electronic Wetgate processing from the 35mm composite fine-grain master. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from the optical soundtrack print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from the optical soundtrack print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.