Licensor Information
Kadokawa Herald Pictures
Directed by: Kenji Mizoguchi
“Quite simply one of the greatest of filmmakers,” said Jean-Luc Godard of Kenji Mizoguchi. And Ugetsu, a ghost story like no other, is surely the Japanese director’s supreme achievement. Derived from stories by Akinari Ueda and Guy de Maupassant, this haunting tale of love and loss—with its exquisite blending of the otherworldly and the real—is one of the most beautiful films ever made.
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Release Information:
Technical Specifications
Format:
DVD
Discs:
DVD-9 (2 Discs)
Total: 2 Discs
Regions:
1 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
Japanese Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Documentary, Interview, Theatrical Trailer, Booklet
- Audio commentary by filmmaker, critic, and festival programmer Tony Rayns
- Kenji Mizoguchi: The Life of a Film Director (1975), a comprehensive, 150-minute documentary by filmmaker Kaneto Shindo, with new and improved subtitles
- Two Worlds Intertwined, a new, 14-minute appreciation of Ugetsu by director Masahiro Shinoda
- Process and Production, a new, 20-minute video interview with Tokuzo Tanaka, first assistant director on Ugetsu
- Ten-minute video interview with cinematographer Kazuo Miyagawa, from 1992
- Theatrical trailers
- A book featuring film critic Phillip Lopate and three short stories that influenced Mizoguchi in making the film
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Producer: Kim Hendrickson
Artwork: Michael Boland
Release Notes on Restoration
Ugetsu
Ugetsu is presented in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and the right of the image to maintain the proper screen format. This new high-definition digital transfer was created on a Spirit Datacine from the 35mm fine-grain master positive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 was encoded at the highest possible bit rate for the quantity of material included.
The soundtrack was mastered at 24-bit from a 35mm optical soundtrack print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.

