Warriors Two
After making his directorial debut with the intense The Iron-Fisted Monk and firmly solidifying his worth at Golden Harvest, Sammo Hung would be given more creative control behind the camera. Now able to inject more of his own personality, Hung would bring to life the more upbeat (yet only slightly less violent) Wing Chun cult classic: Warriors Two!
Cashier Hua (Casanova Wong, The Shaolin Plot) leads a simple life working for a local bank, the only complications resulting from trying to give life advice to his friend Fat Chun (Hung). When Hua discovers a murderous plot to overthrow the mayor and is left for dead, Chun urges him to protect himself by learning the formidable style of Wing Chun from master Leung Tsan (Knockabout’s “Beardy” Leung Kar-Yan). As Hua’s skill set grows, his proximity to Leung unknowingly lands him in the crosshairs of the treacherous scoundrels who previously sought to kill him…
Predating the Ip Man quadrilogy by three decades – as well as Hung’s own The Prodigal Son (starring Yuen Biao as the younger incarnation of Leung Tsan) by a few years – Warriors Two is one of the earliest films to authentically portray the teachings of Wing Chun while also delivering the kind of kinetic and pulse-pounding fights synonymous with the name Sammo Hung!
Details by Film
Warriors Two
Honk Kong VersionWarriors Two
Export VersionRelease Information:
Technical Specifications
Supplements
- Commentary on the HK Theatrical Cut by martial arts cinema expert Frank Djeng & actor Bobby Samuels
- Commentary on the Export Cut by action cinema experts Mike Leeder & Arne Venema
- Archival documentary The Way of the Warrior: The Making of Warriors Two, featuring interviews with stars Sammo Hung, Bryan “Beardy” Leung Ka-Yan, Feng Hak-An, Casanova Wong and Wing Chun master Guy Lai
- Archival interview with Bryan “Beardy” Leung Ka-Yan
- Original theatrical trailers
- Double-sided fold-out poster featuring original and newly commissioned artwork by Joe Kim
- Illustrated collector’s booklet featuring new writing by Jonathan Clements and original press materials

