Arrow Video
Creepshow 2
Licensor Information
Directed by: Michael Gornick
Horror titans George A. Romero and Stephen King deliver yet another fiendish selection of blood-curdling tales in Creepshow 2 - now newly remastered in 2K! In "Old Chief Wood'nhead", a group of young hoodlums face retribution from an unlikely source after looting a local hardware store. Meanwhile, "The Raft" sees a group of horny teens wishing they'd read the warning signs first before taking a dip in a remote lake. Finally, an uptight businesswoman finds herself with some unwanted company following a hit-and-run incident in "The Hitch-hiker". Whilst retaining the EC comic book flavour that made the original such a hit, Creepshow 2, this time directed by long-time Romero collaborator Michael Gornick, is a decidedly darker and grimmer affair than its predecessor and remains one of the greatest horror anthologies of all time.
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Release Information:
Technical Specifications
Format:
Blu-ray
Disc:
BD-50 (1 Disc)
Total: 1 Disc
Regions:
A/B/C (Blu-ray)
Aspect Ratio:
1.85:1
Audio Options:
English PCM Mono 1.0
English PCM Stereo 2.0
English DTS-HD MA Surround 5.1
Resolution:
1080p/24
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Interview, Featurette, Behind the Scenes Footage, Gallery, Theatrical Trailer, TV Spot, BD-ROM, Booklet
- Audio Commentary with director Michael Gornick
- Poncho's Last Ride - a brand new interview with actor Daniel Beer
- The Road to Dover - a brand new interview with actor Tom Wright
- Screenplay for a Sequel - an interview with screenwriter George A. Romero
- Tales from the Creep - an interview with actor and make-up artist Tom Savini
- Nightmares in Foam Rubber - archive featurette on the special effects of Creepshow 2, including interviews with FX artists Howard Berger and Greg Nicotero
- My Friend Rick - Howard Berger on his special effects mentor Rick Baker
- Behind-the-Scenes Footage
- Image Gallery
- Trailers
- TV Spots
- Original Screenplay (BD-ROM Content)
- Collector's booklet featuring new writing on the film by Michael Blyth
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