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Licensor Information
Kadokawa Herald Pictures
Directed by: Kenji Mizoguchi
When an idealistic governor disobeys the reigning feudal lord, he is cast into exile, his wife and children left to fend for themselves and eventually wrenched apart by vicious slave traders. Under Kenji Mizoguchi's dazzling direction, this classic Japanese story became one of cinema's greatest masterpieces, a monumental, empathetic expression of human resilience in the face of evil.
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Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
Japanese Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Interview, Booklet
- Audio commentary featuring Japanese-literature scholar Jeffrey Angles
- Interviews with critic Tadao Sato, assistant director Tokuzo Tanaka, and actress Kyoko Kagawa on the making of the film and its lasting importance
- Booklet featuring an essay by scholar Mark Le Fanu and two versions of the story on which the film is based: Ogai Mori’s 1915 “Sansho the Steward” and an earlier oral variation in written form
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Producer: Curtis Tsui
Artwork: Michael Boland
Release Notes on Restoration
Sansho the Bailiff
Sansho the Bailiff is presented in its original aspect ratio of 1.33:1. The picture has been slightly window-boxed to ensure that the maximum image is visible on all monitors. On widescreen televisions, black bars will appear on the left and the right of the image to maintain the proper screen format. This high-definition digital transfer was created on a Spirit Datacine from a 35mm fine-grain master positive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 was encoded at the highest possible bit rate for the quantity of material included.
The soundtrack was mastered at 24-bit from the two optical soundtrack prints, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from the two optical soundtrack prints, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.