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Details by Film
Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles
Year: 1975
Time: 201
Aspect Ratio
1.66:1
Audio
French 1.0 PCM Mono
Streaming Options
Saute ma ville
Year: 1968
Time: 13
Aspect Ratio
1.66:1
Audio
French 1.0 PCM Mono
Streaming Options
La chambre
Year: 1972
Time: 11
Aspect Ratio
1.37:1
Audio
French 1.0 PCM Mono
Streaming Options
Hotel Monterey
Year: 1972
Time: 62
Aspect Ratio
1.37:1
Audio
French 1.0 PCM Mono
Streaming Options
News from Home
Year: 1976
Time: 85
Aspect Ratio
1.37:1
Audio
French 1.0 PCM Mono
Streaming Options
Je tu il elle
Year: 1975
Time: 86
Aspect Ratio
1.37:1
Audio
French 1.0 PCM Mono
Streaming Options
Les rendez-vous d’Anna
Year: 1978
Time: 127
Aspect Ratio
1.66:1
Audio
French 1.0 PCM Mono
Streaming Options
L'enfant aimé, ou Je joue à être une femme mariée
Year: 1971
Time: 32
Aspect Ratio
1.37:1
Audio
French 1.0 PCM Mono
Streaming Options
Le 15/8
Year: 1973
Time: 43
Aspect Ratio
1.33:1
Audio
French 1.0 PCM Mono
Streaming Options
Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles
| Saute ma ville
| La chambre
| Hotel Monterey
| News from Home
| Je tu il elle
| Les rendez-vous d’Anna
| L'enfant aimé, ou Je joue à être une femme mariée
| Le 15/8
Licensor
Cinematheque royale de Belgique
Featuring: Delphine Seyrig, Aurore Clément, Chris Myllykoski, Chantal Akerman, Helmut Griem, Claire Wauthion, Niels Arestrup, Jan Decorte, Henri Storck, Daphna Merzer, Magali Noël, Jacques Doniol-Valcroze, Hanns Zischler, Yves Bical, Lea Massari, Jean-Pierre Cassel
In the revolutionary first decade of her filmmaking career, Chantal Akerman devoted herself to nothing less than the total resculpting of cinematic time and space. Journeying between Europe and New York City, Akerman forged a highly personal style that fuses avant-garde influences with deeply human expressions of alienation, desire, and displacement—themes that she would explore in a series of increasingly ambitious shorts, documentaries, and features, including the towering Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. With immersive rhythms that render the most minute details momentous, these landmarks of twentieth-century art continue to reveal new ways of experiencing cinema and framing reality.
Technical Specifications
Format: Blu-ray
Aspect Ratio:
1.33:1 , 1.37:1 , 1.66:1
Audio:
French 1.0 PCM Mono
Resolution:
Subtitles:
English
Region:
A
Discs:
3 Discs |
BD-50
* some specifications may reference a film that is included as a special feature
Supplements
- Hanging Out Yonkers, an unfinished film from 1973 by Chantal Akerman
- Film-school tests
- New program on Akerman featuring critic B. Ruby Rich
- New visual essay on Akerman featuring archival interviews with the director
- Autour de “Jeanne Dielman,” a documentary made during the filming of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles, shot by actor Sami Frey and edited by Agnès Ravez and Akerman
- Interviews with Chantal Akerman and cinematographer Babette Mongolte
- Interview with Akerman’s mother, Natalia Akerman
- Archival television interview excerpt featuring Chantal Akerman and star Delphine Seyrig
- Interview with actor Aurore Clément
- Appreciation by filmmaker Ira Sachs
- An essay and notes on the films by critic Beatrice Loayza
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Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles
Saute ma ville
La chambre
Hotel Monterey
News from Home
Je tu il elle
Les rendez-vous d’Anna
L'enfant aimé, ou Je joue à être une femme mariée
Le 15/8
Picture
Audio
Supplements
Artwork
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