100 Years of Olympic Films

19: Innsbruck/Montreal 1976

Part of a multi-title set  | 100 Years of Olympic Films

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Synopsis

Spanning fifty-three movies and forty-one editions of the Olympic Summer and Winter Games, this one-of-a-kind collection assembles, for the first time, a century’s worth of Olympic films—the culmination of a monumental, award-winning archival project encompassing dozens of new restorations by the International Olympic Committee. These documentaries cast a cinematic eye on some of the most iconic moments in the history of modern sports, spotlighting athletes who embody the Olympic motto of “Faster, Higher, Stronger”: Jesse Owens shattering sprinting world records on the track in 1936 Berlin, Jean Claude-Killy dominating the slopes of Grenoble in 1968, Joan Benoit breaking away to win the first-ever women’s marathon on the streets of Los Angeles in 1984. In addition to the work of Bud Greenspan, the man behind an impressive ten Olympic features, this stirring collective chronicle of triumph and defeat includes such landmarks of the documentary form as Leni Riefenstahl’s Olympia and Kon Ichikawa’s Tokyo Olympiad, along with lesser-known but captivating contributions by major directors like Claude Lelouch, Carlos Saura, and Miloš Forman. It also serves as a fascinating window onto the formal development of cinema itself, as well as the technological progress that has enabled the viewer, over the years, to get ever closer to the action. Traversing continents and decades, and reflecting as well the social, cultural, and political changes that have shaped our recent history, this remarkable marathon of films offers nothing less than a panorama of a hundred years of human endeavor.

Picture 9/10

After taking a bit of break I continue on with Criterion’s 32-disc box set 100 Years of Olympic Films. Disc 19 presents White Rock, directed by Tony Maylam (and starring James Coburn as our intense guide), and Games of the XXI Olympiad, directed by Jean-Claude Labrecque, Jean Beaudin, Marcel Carrière, and Georges Dufaux, each film respectively covering the 1976 Innsbruck Winter Games and the 1976 Montreal Summer Games. White Rock is presented in the aspect ratio of 2.39:1 whereas Olympiad is presented in 1.37:1. They both receive 1080p/24hz high-definition encodes on this dual-layer disc. Though the notes on the restorations don’t indicate the source or resolution of the restoration/transfer specifically the two come from either 2K or 4K masters.

Up to this point White Rock easily offers one of the better looking presentations in the set as a whole. Colour saturation is really spot-on here, with some rich deep blues, bright reds and oranges, and everything else in between. Black levels are quite nice themselves, rich and deep without crushing out detail, but it is the whites from the snowy backdrops that truly impress here. The snow looks white but it is balanced wonderfully, never looking blown out and never obliterating details of the objects around. Everything is crystal clear and razor sharp for the most part (there are split screen shots that aren’t as crisp as the rest of the film, more than likely a byproduct of the effect).

The source materials are in tremendous shape themselves, rarely a flaw showing up, and the digital presentation beautifully renders the fairly fine grain, giving the film a wonderful film-like texture. It looks really stunning and again it is one of the better looking ones in this set.

Games of the XXI Olympiad seems to use a grainier film stock, giving it a much different texture in comparison to the cleaner, more polished looking White Rock, but in general it’s presented very well. Unfortunately I didn’t find the grain as cleanly rendered here and there are times where the grain can look a bit more like noise, but despite that the detail levels in the film are still very good. Colours aren’t altogether that vibrant but they’re clean and saturated well with some strong black levels. It still has a nice filmic quality to it but not as strong as I would have figured.

Games of the XXI Olympiad (1977): 8/10
White Rock (1977): 9/10

Audio 6/10

White Rock comes with a 2.0 PCM stereo presentation while Games of the XXI Olympiad surprisingly presents a DTS-HD MA 5.1 surround track.

Both are good but I found White Rock’s track to a bit more creative in its audio design. The opening bobsled portion sounds really sharp, the blades of the sled clearly cutting into the ice underneath presenting distinct movement between the speakers. The rest of the film also manages to be dynamic and creative in how it presents the events while James Coburn and his baritone voice sound like they are right there with you. The electronic score is about as dated as an electronic score can get but it still manages to sound fine itself.

Despite the extra channels the 5.1 track for Olympiad manages to be a bit disappointing. Quality wise it’s great, very dynamic and clear with exceptional range. Voices are very clear and the crowds sound great, but I guess I was expecting more since this was mixed as a 5.1 track. The opening ceremony, the crowds, and other ambient noises make their way back there, but in the end I was more impressed with the audio for White Rock. Ultimately, though, after mono track after mono track in this set it was nice to get a bit of an expansion here.

Extras 5/10

The only disappointing aspect to this set is that there are no on-disc special features to speak of. The set does come with an incredibly thorough 216-page hardbound book, featuring material on the restorations by Adrian Wood along with essays covering the films, all written by film scholar Peter Cowie. It also filled with photos from the various events. Cowie provides a separate essay for each film, though focuses more on the actual events presented in Olympiad rather than the film itself. For White Rock, which is one of the more distinct films in the set in terms of construction, he ends up focusing more on the film and James Coburn than the actual events. (The grade given here refers to the supplements for the set as a whole, which, in this case, is just the included book.)

Closing

More solid presentations, though this may be one of my favourite discs in the set: White Rock is one of the more fun films to be found here and one of the few I will probably catch myself revisiting.


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Blu-ray
32 Discs
1.33:1
1.37:1
2.35:1
1.66:1
1.85:1
2.39:1
1.78:1
1.35:1
Japanese PCM Mono 1.0
Musical Score PCM Stereo 2.0
German PCM Mono 1.0
French PCM Mono 1.0
English PCM Mono 1.0
Norwegian PCM Mono 1.0
Finnish PCM Mono 1.0
Italian PCM Mono 1.0
Swedish PCM Mono 1.0
Spanish PCM Mono 1.0
English PCM Stereo 2.0
French DTS-HD MA Surround 5.1
Russian PCM Mono 1.0
Korean PCM Mono 1.0
Korean PCM Stereo 2.0
Spanish PCM Stereo 2.0
English DTS-HD MA Surround 5.1
Mandarin DTS-HD MA Surround 5.1
Subtitles: English
Region A
 
 A lavishly illustrated, 216-page hardcover book, featuring notes on the films by cinema historian Peter Cowie; a foreword by Thomas Bach, President of the International Olympic Committee; a short history of the restoration project by restoration producer Adrian Wood; and hundreds of photographs from a century of Olympic Games