The Good, the Bad and the Ugly
By far the most ambitious, unflinchingly graphic and stylistically influential western ever mounted, The Good, the Bad and the Ugly is an engrossing actioner shot through with a volatile mix of myth and realism. Clint Eastwood returns as the "Man With No Name," this time teaming with two gunslingers (Eli Wallach and Lee Van Cleef) to pursue a cache of $200,000and letting no one, not even warring factions in a civil war, stand in their way. From sun-drenched panoramas to bold,hard close-ups, exceptional camera work captures the beauty and cruelty of the barren landscape andthe hardened characters who stride unwaveringly through it. Forging a vibrant and yet detached style of action that had not been seen before, and has never been matched since, The Good, the Bad and the Ugly shatters the western mold in true Clint Eastwood style.
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Supplements
- Audio commentary by film historian Richard Schickel
- The Good, the Bad and the Ugly: Leone's West
- The Good, the Bad and the Ugly: The Leone Style
- The Man Who Lost the Civil War: Civil War Documentary
- Reconstructing The Good, the Bad and the Ugly
- Il Maestro: Ennio Morricone and The Good, the Bad and the Ugly
- Analysis of Ennio Morricone's Unforgettable Score for The Good, the Bad and the Ugly by Jon Burlingame
- Deleted Scenes: Extended Tuco Torture Scene and Reconstruction of the Sorocco Sequence
- Poster Gallery
- Original US Theatrical Trailer
- 4 Vignettes Featuring Eli Wallach: "Uno, Due, Tre," "Italian Lunch," "New York Accent," and "Gun Holster"
- Special Collector's Packaging
- 12-Page Booklet with Notes by Roger Ebert
- Five Collectible Postcards