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Licensor Information
United Film Enterprises
Directed by: Georg Wilhelm Pabst
One of the masters of early German cinema, G. W. Pabst seemed to have an innate talent for discovering actresses. And perhaps none of his female stars shone brighter than Kansas native and onetime Ziegfeld girl Louise Brooks, whose legendary persona was defined by Pabst’s lurid, controversial melodrama Pandora’s Box. Sensationally modern, the film follows the downward spiral of the fiery, brash, yet innocent showgirl Lulu, whose sexual vivacity has a devastating effect on everyone around her. Daring and stylish, Pandora’s Box is one of silent cinema’s great masterworks and a testament to Brooks’s dazzling individuality.
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Technical Specifications
Format:
Blu-ray
Disc:
BD-50 (1 Disc)
Total: 1 Disc
Regions:
A (Blu-ray)
Aspect Ratio:
1.33:1
Audio Options:
Musical Score PCM Stereo 2.0
Resolution:
1080i/60
Subtitles:
English
Supplements
Types of Supplements Included: Alternate Score, Documentary, Interview, Booklet, Audio Commentary
- Four musical scores, by Gillian Anderson, Dimitar Pentchev, Peer Raben, and Stéphan Oliva
- Audio commentary by film scholars Thomas Elsaesser and Mary Ann Doane
- Louise Brooks: Looking for Lulu (1998), a documentary by Hugh Munro Neeley
- Lulu in Berlin (1971), a rare interview with actor Louise Brooks, by Richard Leacock and Susan Steinberg Woll
- Interviews with Richard Leacock and Michael Pabst, director G. W. Pabst’s son
- An essay by critic J. Hoberman, notes on the scores, Kenneth Tynan’s 1979 “The Girl in the Black Helmet,” and an article by Louise Brooks on her relationship with Pabst
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Restoration Information
Pandora's Box
Restoration by:
Cineteca di Bologna
George Eastman Museum
Cinematheque francaise
Narodni filmovy archiv
Gosfilmofond
Deutsche Kinemathek
Year: 2023
Scanned at: 2K Digital
Restored at: 2K Digital
Sources:
35mm Archival print
Release Notes on Restoration
Pandora’s Box is presented in the aspect ratio of 1.33:1. This 2K restoration was created from three duplicate elements from the collections of the Cinémathèque française, Gosfilmofond, and Národní filmovy archiv. Funded by Hugh M. Hefner, this restoration was a collaboration between the George Eastman Museum, Cinémathèque française, Cineteca di Bologna, Národní filmovy archiv, Gosfilmofond, and the Deutsche Kinemathek—Museum für Film und Fernsehen.