Licensor Information
Carlton
Featuring: Wendy Hiller, Roger Livesey, Pamela Brown, Finlay Currie, George Carney, Nancy Price, Catherine Lacey, Jean Cadell, John Laurie, Valentine Dyall, Norman Shelley, Margot Fitzsimons
In Michael Powell and Emeric Pressburger’s stunningly photographed comedy, romance flourishes in an unlikely place—the bleak and moody Scottish Hebrides. Wendy Hiller stars as a headstrong young woman who travels to these remote isles to marry a rich lord. Stranded by stormy weather, she meets a handsome naval officer (Roger Livesey) who threatens to thwart her carefully laid-out life plans.
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Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1/2/3/4/5/6 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
English Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Video Gallery, Documentary, Film Excerpt, Mulitimedia Essay, Insert, Home Movies
- Audio essay by film historian Ian Christie
- Behind-the-scenes stills, narrated by Thelma Schonmaker Powell
- The 1994 documentary I Know Where I'm Going! Revisited, by Mark Cousins
- Excerpts from Michael Powell's 1937 feature The Edge of The World, with commentary, and the 1978 documentary Return to the Edge of the World
- The 1978 documentary Return to the Edge of the World
- Photo essay by I Know Where I'm Going! aficionado Nancy Franklin, who explores the locations used in the film
- Home movies from one of Michael Powell's Scottish expeditions, narrated by Thelma Schonmaker Powell
- Insert featuring an essay by Ian Christie
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Artwork: Gordon Reynolds
Producer: Karen Stetler
Artwork: Tom Stvan
Release Notes on Restoration
I Know Where I'm Going!
I Know Where I'm Going! is presented in its original theatrical aspect ratio of 1.33:1. This new digital transfer was created from a 35mm interpositive print recently manufactured by the British Film Institute from the original nitrate elements. The sound was mastered from the original optical tracks. The transfer was supervised and approved by director of photography Erwin Hillier.

