Monterey Pop

Edition no. 168

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Licensor Information
The Monterey International Pop Festival Foundation
Directed by: D.A. Pennebaker
On a beautiful June weekend in 1967, at the height of the Summer of Love, the first and only Monterey International Pop Festival roared forward, capturing a decade's spirit and ushering in a new era of rock and roll. Monterey would launch the careers of Jimi Hendrix, Janis Joplin, and Otis Redding, but they were just a few among a wildly diverse cast including Simon and Garfunkel, the Mamas and the Papas, the Who, Hugh Masekela, and the extraordinary Ravi Shankar. With his characteristic verite style, D. A. Pennebaker got it all, immortalizing moments that have become legend: Pete Townshend destroying his guitar, Jimi Hendrix burning his. The Criterion Collection is proud to present this timeless document of a landmark event.
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Release Information:


Technical Specifications

Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1/2/3/4/5/6 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
English Dolby Digital Surround 5.1
English DTS 5.1
Resolution:
480p/29.97
Subtitles:
English

Supplements

Types of Supplements Included: Audio Commentary, Interview, Audio Interview, Video Essay, Theatrical Trailer, Radio Advertisement, Gallery

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Film
7.5556/10
Picture
7.6667/10
Audio
9.6667/10
Supplements
8.3333/10
Artwork
8.0000/10

Release Credits

Producer: Kim Hendrickson

Release Notes on Restoration

Monterey Pop
Monterey Pop, Jimi Plays Monterey, and Shake! Otis at Monterey are presented in their original theatrical aspect ratios of 1.33:1. These new high-definition digital transfers were created on a Spirit Datacine. For Monterey Pop, the transfer was made from the original 16mm A/B camera reversal original and the 35mm duplicate negative; for Jimi Plays Monterey and Shake! Otis at Monterey, the 35mm duplicate negatives were used. All transfers were supervised by director D.A. Pennebaker. The soundtracks were remixed by Eddie Kramer from the original analog 8-track tapes made at the concerts by Wally Heider and conformed to picture by Ted Hall at POP Sound. To further enhance the image, the MTI Digital Restoration System was used to remove thousands of instances of dirt, debris, and scratches. The soundtracks were mastered at 24-bit: audio restoration tools were used sparingly to reduce clicks, pops, hiss, and some crackle.