This release can only be found in the following box set: Letters from Fontainhas: Three Films by Pedro Costa
Licensor Information
Lusomundo Audiovisuals, S.A.
Directed by: Pedro Costa
The first film in Pedro Costa’s transformative trilogy about Fontainhas, an impoverished quarter of Lisbon, Ossos is a tale of young lives torn apart by desperation. After a suicidal teenage girl gives birth, she misguidedly entrusts her baby’s safety to the troubled, deadbeat father, whose violent actions take the viewer on a tour of the foreboding, crumbling shantytown in which they live. With its reserved, shadowy cinematography by Emmanuel Machuel (who collaborated with Bresson on L’argent), Ossos is a haunting look at a devastated community.
Streaming Options
Stream
2
Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
1.66:1
Audio Options:
Portuguese Dolby Digital Stereo 2.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Interview, Video Essay, Gallery
- New video conversation between Pedro Costa and filmmaker Jean-Pierre Gorin
- Video interviews with critic João Bérnard da Costa and cinematographer Emmanuel Machuel
- New video essay by artist Jeff Wall
- Gallery of photos by Mariana Viegas
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Producer: Kim Hendrickson
Artwork: Jason Hardy
Release Notes on Restoration
Ossos
Ossos is presented in its original aspect ratio of 1.66:1. On standard 4:3 televisions, the image will appear letterboxed. On standard and widescreen televisions, black bars may also be visible on the left and right to maintain the proper screen format. Supervised and approved by director Pedro Costa, this new high-definition digital transfer was created on a Spirit 2K Datacine from from the original camera negative. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were removed manually using MTI’s DRS system and Pixel Farm’s PFClean system, while Digital Vision’s DVNR system was used for small dirt, grain, and noise reduction.
Presented in its original stereo format, the soundtrack was remastered at 24-bit from the original 35mm magnetic soundtrack. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated audio workstation.
Presented in its original stereo format, the soundtrack was remastered at 24-bit from the original 35mm magnetic soundtrack. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated audio workstation.

