BFI
The Phantom of the Opera
The Phantom of the Opera
Licensor Information
Directed by: Rupert Julian
Featuring: Lon Chaney
Beneath the sewers of the Paris Opera House, a masked figure dwells. He is Enrique (Lon Chaney), the Phantom, a hideously disfigured composer whose dream is to turn chorus singer Christine (Mary Philbin) into a diva. This adaptation of Gaston Leroux's novel gave 'Man of a Thousand Faces' Lon Chaney his most famous role, and is celebrated today as one of the great classics of American silent film.
Details by Film
The Phantom of the Opera
Year: 1929
Time: 91
Aspect Ratios
1.19:1
1.33:1
1.37:1
Audio
Musical Score PCM Stereo 2.0
Musical Score DTS-HD MA Surround 5.1
The Phantom of the Opera
Year: 1925
Time: 103
Aspect Ratios
1.19:1
1.33:1
1.37:1
Audio
Musical Score PCM Stereo 2.0
Musical Score DTS-HD MA Surround 5.1
Streaming Options
12227.
+6025
Stream
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HD
AMC+
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AMC+ Amazon Channel
HD
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Eternal Family
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HD
Shudder Apple TV Channel
HD
YouTube TV
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HD
Free
Release Information:
Technical Specifications
Format:
Blu-ray
DVD
Discs:
BD-50 (1 Disc)
DVD-9 (1 Disc)
DVD-5 (1 Disc)
Total: 3 Discs
Regions:
A/B/C (Blu-ray)
1/2/3/4/5/6 (DVD)
Aspect Ratio:
1.19:1
1.33:1
1.37:1
Audio Options:
Musical Score PCM Stereo 2.0
Musical Score DTS-HD MA Surround 5.1
Resolution:
1080p/24
576p/25
Supplements
Types of Supplements Included: Alternate Version, Theatrical Trailer, Deleted Scenes, Documentary, Booklet
- The original 1925 version, (black & white, 103 mins): with newly commissioned piano accompaniment by Ed Bussey
- Original 1925 trailer
- 1929 sound re-issue trailer
- Reel 5 from lost 1929 sound re-issue (12 mins): the only surviving element, newly discovered in the Library of Congress archives
- The 'man with a lantern' sequence: mysterious footage thought to have been shot for non-English speaking territories
- Lon Chaney: A Thousand Faces (2000, Kevin Brownlow, 86 mins, DVD only): Kevin Brownlow's definitive documentary on the legendary actor
- Booklet with an essay by Kevin Brownlow, notes on the different versions by Patrick Stanbury, and a reprint of a 1975 review for the 1925 version written by Geoff Brown
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