The Criterion Collection
A Whit Stillman Trilogy: Metropolitan, Barcelona, The Last Days of Disco
Metropolitan | The Last Days of Disco | Barcelona
Licensor Information
Majestic Films, Universal Studios Home Entertainment, Warner Bros. Home Entertainment
Directed by: Whit Stillman
Featuring: Chloë Sevigny, Chris Eigeman, Kate Beckinsale, Taylor Nichols, Mira Sorvino, Mackenzie Astin, Tushka Bergen, Matt Keeslar, Pep Munné, Robert Sean Leonard, Hellena Schmied, Jennifer Beals
Over the course of the 1990s, writer-director Whit Stillman made a trilogy of films about the acid tongues and broken hearts of some haplessly erudite young Americans in New York and abroad. Set in the eighties, these films would trace the arc of that decade, led by Stillman’s Oscar-nominated debut, Metropolitan, which introduced moviegoers to a strange, endangered species of privileged New Yorker dubbed the “urban haute bourgeoisie.” Chronologically, the tale continues with The Last Days of Disco, in which, with an earnest wink, Stillman mourns the close of New York’s nightclub era via the story of two young party-going women juggling day jobs in book publishing. Finally, Barcelona plunks down a pair of love-starved upper-class men in a foreign city riddled with anti-American sentiment. At once effervescent and melancholy, these are comedies about the ends of eras, social change as seen through the eyes of reluctant, unflaggingly sardonic romantics.
Details by Film
Metropolitan
Year: 1990
Time: 99
Aspect Ratios
1.66:1
Audio
English PCM Mono 1.0
Streaming Options
24893.
+18034
Stream
Rent
The Last Days of Disco
Year: 1998
Time: 113
Aspect Ratios
1.78:1
Audio
English DTS-HD MA Surround 5.1
Barcelona
Year: 1994
Time: 101
Aspect Ratios
1.85:1
Audio
English DTS-HD MA Surround 2.0
Release Information:
Technical Specifications
Format:
Blu-ray
Discs:
BD-50 (3 Discs)
Total: 3 Discs
Regions:
A (Blu-ray)
Aspect Ratio:
1.85:1
1.66:1
1.78:1
Audio Options:
English DTS-HD MA Surround 2.0
English PCM Mono 1.0
English DTS-HD MA Surround 5.1
Resolution:
1080p/24
Subtitles:
English
Supplements
Types of Supplements Included:
- Audio commentary from 2002 featuring Whit Stillman and actors Chris Eigeman and Taylor Nichols
- Audio commentary by Whit Stillman, editor Christopher Tellefsen, and actors Chris Eigeman and Taylor Nichols
- Audio commentary by Whit Stillman and actors Chris Eigeman and Chloë Sevigny
- New video essay by film critic Farran Smith Nehme about the trilogy made up of Metropolitan, Barcelona, and The Last Days of Disco
- Rare outtakes and alternate casting, with commentary by Whit Stillman
- Four deleted scenes, with commentary by Whit Stillman, Chris Eigeman, and Chloë Sevigny
- The Making of “Barcelona,” a short documentary from 1994 featuring behind-the-scenes footage and on-set interviews with Stillman and cast members
- Insert featuring a new essay by critic Lucy Sante
- Audio recording of Whit Stillman reading a chapter from his book The Last Days of Disco, with Cocktails at Petrossian Afterwards
- Deleted scenes and alternate ending, with commentary by Whit Stillman, Chris Eigeman, and Taylor Nichols
- Behind-the-scenes featurette
- Segment from a 1994 episode of the Today show featuring Whit Stillman
- Stills gallery, with captions by Stillman
- Episode of The The Dick Cavett Show from 1991 with Whit Stillman
- Trailer
- Trailer
- Insert with a new essay by novelist David Schickler
- An essay by film scholar Haden Guest
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Metropolitan
The Last Days of Disco
Barcelona
Picture
Audio
Supplements
Artwork
Release Notes on Restoration
Metropolitan
Metropolitan is presented in its original Super 16mm aspect ratio of 1.66: 1. On standard 4:3 televisions the image will appear letterboxed. On standard and widescreen televisions, black bars may also be visible on the. left and the tight to maintain the proper screen format. Director Whit Stillman and director of photography John Thomas supervised this new high—definition digital transfer, which was created on a Spirit Datacine from a 35mm blow-up interpositive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System.
The soundtrack was mastered at 24-bit from a 35mm magnetic audio track, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle.
The soundtrack was mastered at 24-bit from a 35mm magnetic audio track, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle.
The Last Days of Disco
The Last Days of Disco is presented in the aspect ratio of 1.78:1. On standard 4:3 televisions, the image will appear letterboxed. On widescreen televisions, the image should fill the screen. Supervised by director Whit Stillman, this high—definition digital transfer was created on a Spirit Datacine from a 35 mm interpositive. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using MTl’s DRS and Pixel Farm’s PFClean, while Image Systems’ DVNR was used for small dirt, grain, and noise reduction.
The original 5.1 surround soundtrack was remastered at 24-bit from the original 35 mm magnetic audio tracks. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube’s integrated workstation.
The original 5.1 surround soundtrack was remastered at 24-bit from the original 35 mm magnetic audio tracks. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube’s integrated workstation.

