A Whit Stillman Trilogy: Metropolitan, Barcelona, The Last Days of Disco

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Metropolitan | The Last Days of Disco | Barcelona
Licensor Information
Westerly Films, Universal Studios Home Entertainment, Warner Bros. Home Entertainment
Directed by: Whit Stillman
Over the course of the 1990s, writer-director Whit Stillman made a trilogy of films about the acid tongues and broken hearts of some haplessly erudite young Americans in New York and abroad. Set in the eighties, these films would trace the arc of that decade, led by Stillman’s Oscar-nominated debut, Metropolitan, which introduced moviegoers to a strange, endangered species of privileged New Yorker dubbed the “urban haute bourgeoisie.” Chronologically, the tale continues with The Last Days of Disco, in which, with an earnest wink, Stillman mourns the close of New York’s nightclub era via the story of two young party-going women juggling day jobs in book publishing. Finally, Barcelona plunks down a pair of love-starved upper-class men in a foreign city riddled with anti-American sentiment. At once effervescent and melancholy, these are comedies about the ends of eras, social change as seen through the eyes of reluctant, unflaggingly sardonic romantics.

Details by Film

Release Information:


Technical Specifications

Format:
DVD
Discs:
DVD-9 (3 Discs)
Total: 3 Discs
Regions:
1 (DVD)
Aspect Ratio:
1.85:1
1.66:1
1.78:1
Audio Options:
English Dolby Digital Surround 2.0
English Dolby Digital Mono 1.0
English Dolby Digital Surround 5.1
Resolution:
480p/29.97
Subtitles:
English

Supplements

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Metropolitan
6.9444/10
The Last Days of Disco
7.0000/10
Barcelona
8.0000/10
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Release Notes on Restoration

Metropolitan
Metropolitan is presented in its original Super 16mm aspect ratio of 1.66: 1. On standard 4:3 televisions the image will appear letterboxed. On standard and widescreen televisions, black bars may also be visible on the. left and the tight to maintain the proper screen format. Director Whit Stillman and director of photography John Thomas supervised this new high—definition digital transfer, which was created on a Spirit Datacine from a 35mm blow-up interpositive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System.

The soundtrack was mastered at 24-bit from a 35mm magnetic audio track, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle.
The Last Days of Disco
The Last Days of Disco is presented in the aspect ratio of 1.78:1. On standard 4:3 televisions, the image will appear letterboxed. On widescreen televisions, the image should fill the screen. Supervised by director Whit Stillman, this high—definition digital transferwas created on a Spirit Datacine from a 35 mm interpositive. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using MTl’s DRS and Pixel Farm’s PFClean, while Image Systems’ DVNR was used for small dirt, grain, and noise reduction.

The original 5.1 surround soundtrack was remastered at 24-bit from the original 35 mm magnetic audio tracks. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube’s integrated workstation.